The Devil in Velvet (1951), John Dickson Carr

Rating: 8/10

  • Accuracy: Carr knew Restoration London closely and appended notes explaining his sources.
  • Plot: A Cambridge historian sells his soul to travel back to 1675 and prevent a poisoning, waking in the body of the victim’s husband.
  • Clues: Fairly planted, with Carr’s usual sleight of hand. The hero knows a death is coming but not how.
  • Reveal: A satisfying turn that works both as detection and as a comment on the bargain itself.

Professor Nicholas Fenton, a Cambridge historian in 1925, is obsessed with an unsolved crime: the poisoning of Lydia, wife of Sir Nicholas Fenton, in 1675. He makes a pact with the devil to go back and prevent it. He wakes in Sir Nick’s body, in Sir Nick’s London, with the murder still ahead and no idea who is planning it.

This is Carr at his most exuberant. He was a master of the impossible crime, and he approached history with an enthusiast’s knowledge and an entertainer’s appetite. The Restoration arrives full of sword fights, tavern brawls, coffee-house politics and backstairs intrigue. Charles II, Shaftesbury and the Green Ribbon Club all play parts, and the struggle between court and opposition drives much of the plot.

The time-travel conceit adds a second layer. Fenton knows history in outline but not the details, and he struggles against Sir Nick’s personality, which tends to take over, especially when blades come out. There is also a moral question about the bargain and what he is allowed to change.

Carr’s research shows. His closing notes cite sources for the period’s slang, weapons, streets and customs, and those details give the book an authenticity most historical adventures of the time lacked.

The weaknesses are Carr’s usual ones. The romance is overheated, the women divide into saints and schemers, and the dialogue can be arch. The pace is uneven, with too much swordplay between clues.

Still, as a blend of puzzle, adventure and historical imagination, it has few equals. The 8 rewards the ambition. Many Carr readers rank it his best historical novel, and it is easy to see why.

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1950s 1960s 1970s Agatha Christie Alejo Carpentier Annemarie Selinko Boileau-Narcejac Book Review books Carlo Emilio Gadda Carlos Fuentes Cosy Ed McBain Ellis Peters Friedrich Dürrenmatt Historical Mystery History James A. Michener Jim Thompson John Dickson-Carr Leo Malet Leonardo Sciascia Maj Sjöwall and Per Wahlöö Marguerite Yourcenar Mary Renault Maurice Druon Michael Shaara Mickey Spillane Mystery P.D. James Patricia Highsmith Peter Lovesey Raymond Chandler Robert Merle Robert Taver Robert van Gulik Ross MacDonald Ruth Rendell Seichi Matsumoto Sébastien Japrisot Thomas Mann Vilhelm Moberg William Styron Yasushi Inoue Zoé Oldenbourg

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